{"id":10710,"date":"2018-02-09T10:24:00","date_gmt":"2018-02-09T09:24:00","guid":{"rendered":"http:\/\/yiudwyf.cluster027.hosting.ovh.net\/review-arturo-brachetti-in-solo\/"},"modified":"2024-03-14T13:40:11","modified_gmt":"2024-03-14T12:40:11","slug":"review-arturo-brachetti-in-solo","status":"publish","type":"post","link":"https:\/\/brachetti.com\/en\/review-arturo-brachetti-in-solo\/","title":{"rendered":"Review &#8211; Arturo Brachetti in &#8220;Solo&#8221;"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"10710\" class=\"elementor elementor-10710 elementor-7029\">\n\t\t\t\t<div class=\"elementor-element elementor-element-419e6be e-con-full e-flex e-con e-parent\" data-id=\"419e6be\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-391d2f2 aleft elementor-widget elementor-widget-wgl-double-heading\" data-id=\"391d2f2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"wgl-double-heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"wgl-double-heading\"><div class=\"dblh__subtitle\"><span>EVENT<\/span><\/div><h6 class=\"dblh__title-wrapper\"><span class=\"dblh__title dblh__title-1\">the new one man show by and with Arturo Brachetti: Solo<\/span><\/h6><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-34a5f10 elementor-widget elementor-widget-text-editor\" data-id=\"34a5f10\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><span style=\"color: #000000;\"><b><i>(CENTRAL PALC \u2013 09\/02\/2018 \u2013 ILARIA FARAONI)<\/i><\/b><\/span><\/p>\n<p><span><span style=\"color: #000000;\">After making its debut in Paris<\/span> <a href=\"https:\/\/www.ilsistina.it\/\">the new one man show by and with Arturo Brachetti arrived at Teatro Sistina<\/a><span style=\"color: #000000;\">in Rome (where he will remain until 18 February): his \u201cSolo\u201d.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">And there must be a reason if, after so many years, in seeing a show by Brachetti, transformist par excellence, the amazement is intact and the question on everyone\u2019s lips is always the same \u201cBut how does he..?\u201d. Standing ovation applauses were numerous, on the evening of the first performance (February 7th).<\/span><\/p>\n<p><span><span style=\"color: #000000;\">It is not for nothing that the artist has been included in<\/span> <a href=\"http:\/\/www.guinnessworldrecords.com\/\">the Guinness Book of Records<\/a> <span style=\"color: #000000;\">as the most prolific and fastest transformer in the world. To his credit Mr. Brachetti also has a Moli\u00e8re award (the French analogue to a Tony Award), a Laurence Olivier Award, and was dubbed Knight of the Arts and Labor by the French Minister of Culture and Commendatore by former Italian President Napolitano.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\">But there is not only his quick change mastery, in this SOLO: there is the equally astonishing chapeaugraphie, a technique with which Brachetti succeeds in transforming a hat with a hole in the middle \u2013 \u00abYou have to fill the hole with imagination\u00bb, his grandfather would have told him \u2013 in 25 different headgears and as many characters: it is for him as simple as bending the fabric with a couple of gestures.<\/span><\/p>\n<p><span style=\"color: #000000;\">And there\u2019s more: the art of creating real paintings with sand (sand painting), there\u2019s shadow puppetry, there is the use of the latest laser technologies \u2013 that the artist had already presented us in the show \u201cBrachetti, what a surprise!\u201d \u2013 to create incredible sci-fi atmospheres in the vein of Matrix or Tron. The use of the laser alone, however, would not be enough were it not for the extraordinary skill of Brachetti, Kevin Michael Moore (the mischievous, Peter Pan-esque human shadow accompanying him through the story) and of the entire technical sector, who manage to coordinate perfectly with the human\/laser interaction, obtaining very realistic results with a great visual impact, including flight.<\/span><\/p>\n<p><span style=\"color: #000000;\">Then there is dream and magic (in the broadest sense of the term) that permeate the whole show, transporting the audience in a world suspended by itself, the personal world of Brachetti, which linked the various moments of the show (which would, to be fair, hold up on their own anyway) via the central idea of \u200b\u200bthe miniature house, one \u201cof my memories, of my dreams, of my fears\u201d, as the artist explains to the audience from the stage.<\/span><\/p>\n<p><span style=\"color: #000000;\">With a mini-camera that projects images directly on screen, one enters the various rooms (seven in total) and through symbolic objects, which will then return at the end of the show, the showman takes us on a journey that evokes the characters of the most popular <a href=\"https:\/\/disney.it\/\" style=\"color: #000000;\">Disney cartoons<\/a> and the most famous international singers.<\/span><\/p>\n<p><span style=\"color: #000000;\">The use of video mapping, which integrates animated images and scenography, allowing Brachetti to enter directly into the pages of a fairytale book or fly very realistically on the Aladdin carpet through the streets of an imaginary Agrabah, is designed to perfection, as are the lights, which allow certain spectacular and poetic effects.<\/span><\/p>\n<p><span style=\"color: #000000;\">One could still speak of the well-known references such as the paintings by Magritte, Monet or Van Gogh associated with the four seasons or the theme (very dear to the artist) of growth: Brachetti in fact claims he won\u2019t grow old, but will continue to fly, to stoke the fires of imagination: an innermost desire that generates strife, only verbal at first, then physical, between him and his shadow. Or one could recall the poetry that permeates so many of the show\u2019s visual paintings. With all the elements just listed, however, clash a few racier moments as the revisited deeds of Snow White or the tableau that takes place in a kitchen during a wedding. Of these parts the show could very well do without and not lose anything: it could perhaps even gain, since there are already plenty more effective moments of irony and fun.<\/span><\/p>\n<p><span style=\"color: #000000;\">So it\u2019s better to focus on the tender and melancholic scene of Arturo\u2019s dance with the memory of the flowered gown his mum had sewn, a dress that comes to life by literally flying during the dance.<\/span><\/p>\n<p><span style=\"color: #000000;\">For the umpteenth time, therefore, there is flight, which in this show is declined in various ways, thus remaining at the center of the whole 90 minutes act. So how could one think of Brachetti without associating him with Peter Pan, another central theme of SOLO? He does not only wear Peter\u2019s clothes, but is also sort of an \u201cItalian dad\u201d to the character, seeing as the eponymous musical directed by Colombi was born in 2006 under the artistic direction of Brachetti, who left his very clear signature, one echoed in certain mesmerizing images of SOLO that stay with the audience.<\/span><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>EVENT the new one man show by and with Arturo Brachetti: Solo (CENTRAL PALC \u2013 09\/02\/2018 \u2013 ILARIA FARAONI) After making its debut in Paris the new one man show by and with Arturo Brachetti arrived at Teatro Sistinain Rome (where he will remain until 18 February): his \u201cSolo\u201d. And there must be a reason [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9918,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[150],"tags":[149],"class_list":["post-10710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","tag-solo-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Review - Arturo Brachetti in &quot;Solo&quot; - ARTURO BRACHETTI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/brachetti.com\/review-arturo-brachetti-in-solo\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Review - Arturo Brachetti in &quot;Solo&quot; - ARTURO BRACHETTI\" \/>\n<meta property=\"og:description\" content=\"EVENT the new one man show by and with Arturo Brachetti: Solo (CENTRAL PALC \u2013 09\/02\/2018 \u2013 ILARIA FARAONI) After making its debut in Paris the new one man show by and with Arturo Brachetti arrived at Teatro Sistinain Rome (where he will remain until 18 February): his \u201cSolo\u201d. 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